Next, click export, and a new synced timeline will open in Premiere Pro for you. Once they’re scanned and you’ve clicked, you’ll watch as they arrange to match. You’ll need to wait until they’re all scanned before you can sync (but you can still go ahead and click sync right away). One you have PluralEyes open, you’ll see your footage and audio files show up as PluralEyes scans them. If you have multiple timelines open, it will ask you to choose which one you’d like to work with, so make sure you name your timelines appropriately. To open PluralEyes, go to Window -> Extensions -> PluralEyes, and PluralEyes will launch a smaller window in Premiere Pro for your sync.
Step Three: Open PluralEyes in Premiere Pro Make sure all the footage is back to back. Be sure to arrange each one (if you’re using multiple cameras) onto their own level. Step Two: Create a Timeline and Lay Out All Cameras and AudioĬreate your sequence, and drag all your footage and audio onto the timeline. Note: For newer PluralEyes editions, you can sync directly in PluralEyes or in Premiere Pro - whichever you prefer. Once you have your footage where you want to work with it, open Premiere Pro as you normally would with your ideal sequence settings.
For tips on how to organize, here’s a great article. Step One: Import Your Footage into Premiere Pro
While there are plenty of workarounds, for those who have made the investment and are to streamline, here are some tips for maximizing your PluralEyes workflow in Premiere Pro. If you’re interested, you can get a free trail of PluralEyes on their website before buying the program.Ĭheck out the step-by-step syncing process from FILM IT VFX STUDIOS. PluralEyes is a quality third-party plug-in from Red Giant that simplifies the task. If you shoot DSLR, mirrorless, or on any mainstream camera that doesn’t offer high-quality in-camera recording options, you know how long it can take to sync your video and externally recorded audio. Syncing audio doesn’t need to be stressful. Canon H.264 plays back terribly with AMA.Streamline your audio sync workflow in Premiere Pro with PluralEyes. PS: Don't forget to transcode to DNX HD as quickly as possible. If you have multiple cameras, send them to plural eyes in seperate sequences.
I was hoping that with the new analyze by waveform addition (this office just upgraded from MC6.5) that there.
This way, you can always refer to the creation dates/ time on the files if all else fails. Pluraleyes 4 Tutorial Avid License To Lapse. Once the conversion process is done, click.
When the former steps finished, you can press 'Convert' button to start rewrapping Canon XC10 4K MXF files to MPEG-2 for Adobe Premiere Pro on Mac OS X. Try to set the date and time on the cameras and Zoom recorder as close as possible. Go to 'Format' menu and choose Adobe Premiere/Sony Vegas -> MPEG-2 (.mpg) as target format for using XC10 4K MXF in Adobe e Premiere Pro. Allows you to speed up Plural eyes by telling it that the sequence is chronological. Try to arrange the picture and sound dailies sequence in shooting order before sending to Plural eyes.
This clapper person should stand as close to the camera and zoom mics as possible to get above BG noise. Having the visual clap allows the assistant editor to easily check this and make adjustments after plural eyes has done it's business. I also have noticed that the camera audio on 5D, 7D and 60D's is often out of sync by 1 or 2 frames (ushually 1 frame advanced of picture). Having a clear audio/ visible slate also helps hand synching if all else fails. Plural eyes works by finding similar wave forms in the audio sources to line up. Make sure they use a slate board/ visual clap, and have the clapper person SAY what the slate is. There are things that can be done to make this workflow more reliable/ less messy: If the crew had not forgotten 101 organisational rules/ slating, the remaining 50% would have been much eisier to sync up. I averaged about a 50% success rate with Plural Eyes, the rest had to be hand syched. My film was shot in noisy Bangkok and the camera audio was of very poor quality, so Plural eyes had a real hard time finding sync points. I have used Plural Eyes on a 7D show with zoom audio.